b. 1986, U.K.

 Lives & works in London


MA Painting, Royal College of Art, London (with Distinction in Critical and Historical Studies), 2013 – 2015

BA Fine Art, Central Saint Martins, London, 2007 – 2010

Erasmus Exchange to the Ecole nationale supérieure des Beaux-Arts, Paris, 2009

Foundation Degree, Chelsea College of Art and Design, London, 2006 – 2007


Duplicate (No one will drink the water of your well if you yourself do not drink it), solo show, Chalton Gallery, London, September 2017


Polyester Breeze, solo show, The Telfer Gallery, Glasgow, 2017

Grey Market, Studio4 Project Space, Chisenhale Art Place, 2016

Spirit Line –  The Luminary, St Louis, Missouri, 2016


There will be nothing left to suck, group show curated by the Dow Collective, Bank Space Gallery, London, 2017

ON & OFF, curated by Javier Calderon, Proyectos Medellin Gallery, Mexico City, 2017

Bloomberg New Contemporaries, selected by Alan Kane, Anya Gallaccio & Haroon Mirza, ICA, London, 2016 – 2017

Bloomberg New Contemporaries, selected by Alan Kane, Anya Gallaccio & Haroon Mirza, Bluecoat (as part of Liverpool Biennial), 2016

Without Walls, Chisenhale Art Place, London, 2016

(Not) Every Thread Ties Down, Your Split Ends Are Showing, group show curated by Leo Cohen & Lucy Rollins at DKUK, London, 2016

That I am now. And so it is, Chalton Gallery, London, 2016

Which one of these is the non-smoking lifeboat?, Pangaea Sculptors’ Centre Project Space, London, 2015

Taking Shape, Sculpture on the Verge, Pangaea Sculptors’ Centre, part of ART LICKS WEEKEND, London, 2015

MA Degree Show, Royal College of Art, London, 2015

Franchise – Trial Shift, 1-10 Purcell Street, London , 2014

Rushgrove House Project II, Rushgrove House, London, 2014

Insider Joke, Hockney Space, London, 2014

Rushgrove House Project I, Rushgrove House, London, 2013

Life (Bildung), Barbican Centre, London, 2013

Vicissitude, Kabin Collection, London, 2010

BA Degree Show, Central Saint Martins College of Art and Design, London, 2010


Artists Talk, Plymouth Arts Centre, Plymouth, 2017

Artists Talk, The Luminary, St Louis, Missouri, 2016

HOUSING MERZ: New critical intersections for contemporary art and architecture; The legacy of Kurt Schwitters in Britain, Tate Britain, London, 2014


Written work in There will be nothing left to suck publication by the Dow Collective, 2017

Bloomberg New Contemporaries Catalogue (Selected by Anya Gallaccio, Alan Kane, Haroon Mirza), 2016

Sculpting Practice (Catching a Train on the Move, London 2015), Pangaea Sculptors’ Centre, 2016

Written work published in ARC magazine, 2015


Arts Council England Grant – Grants for the Arts, 2017

Arts Council England Grant – Grants for the Arts, 2016

Arts Council England / British Council Grant  –  Artists’ International Development Fund, 2016

Deptford X, nominee for site-specific commission, nominated by Fatos Ustek, 2016

Deutsche Bank Award for Creative Enterprise Trophies Commission, finalist, 2016

Fig-2, ICA : Open Call for Students, shortlisted, 2015

Red Mansion Art Prize, nominee, 2015

Cowley Manor Arts Award, shortlisted, 2015

Royal College of Art Secret Postcard Fund, 2015

Windle Charitable Trust Grant, 2013

Royal College of Art Bursary, 2013 & 2014

Erasmus Grant, 2009


Rupert, Artist in Residence,Vilnius, Lithuania, 2017

Chisenhale Art Place, Studio4 Residency, London, 2016

The Luminary Center for the Arts, Artist in Residence, St Louis, Missouri, 2016

Pangaea Sculptors’ Centre, Artists-in-Residence Autumn Programme, London, 2015

Kurt Schwitters’ Merz Barn, Summer Residential Programme, Cylinders Estate, Cumbria, 2014



Art Monthly, review of Bloomberg New Contemporaries at Bluecoat, Liverpool by Martin Herbert, Issue:399, September, 2016 –  Read Review

Interview on Free Seed on Soho Radio – https://m.mixcloud.com/sohoradio/free-seed-on-soho-16112016/





Hunger, feature on Franchise – Trial Shift, 2014