b. 1986, U.K.

 Lives & works in London


MA Painting, Royal College of Art, London (with Distinction in Critical and Historical Studies), 2013 – 2015

BA Fine Art, Central Saint Martins, London, 2007 – 2010

Erasmus Exchange to the Ecole nationale supérieure des Beaux-Arts, Paris, 2009

Foundation Degree, Chelsea College of Art and Design, London, 2006 – 2007



‘From the same source I have not taken’,  Yamamoto Keiko Rochaix, London, 2018

‘From the same source I have not taken’, The Enterprise Centre, University of East Anglia, Norwich, 2018

‘Duplicate (No one will drink the water of your well if you yourself do not drink it)’, Chalton Gallery, London 2017

Polyester Breeze’, The Telfer Gallery, Glasgow, 2017

‘Grey Market’, Studio4 Project Space, Chisenhale Art Place, London, 2016

Spirit Line‘,  The Luminary, St Louis, Missouri, 2016



Visions in the Nunnery‘ (Melanie Manchot Programme), Nunnery Gallery, Bow Arts, London, 2018

London Creative Network, ‘Showcase‘, SPACE, London, 2018

‘Hummadruz’, curated by Field Notes in partnership with the Museum of Witchcraft and Art Cornwall, Newlyn Art Gallery, Cornwall, 2018

‘There will be nothing left to suck’, curated by the Dow Collective, Bank Space Gallery, London, 2017

‘ON & OFF’, curated by Javier Calderon, Proyectos Medellin Gallery, Mexico City, 2017

‘Bloomberg New Contemporaries’, selected by Alan Kane, Anya Gallaccio & Haroon Mirza, ICA, London, 2016

‘Bloomberg New Contemporaries’, selected by Alan Kane, Anya Gallaccio & Haroon Mirza, Bluecoat (as part of Liverpool Biennial), 2016

‘Without Walls’, Chisenhale Art Place, London, 2016

(Not) Every Thread Ties Down, Your Split Ends Are Showing’,  curated by Leo Cohen & Lucy Rollins at DKUK, London, 2016

‘That I am now. And so it is’, Chalton Gallery, London, 2016

‘Which one of these is the non-smoking lifeboat?’, Pangaea Sculptors’ Centre Project Space, London, 2015

‘Taking Shape, Sculpture on the Verge’, Pangaea Sculptors’ Centre Project Space, part of Art Licks, London, 2015

‘MA Degree Show’, Royal College of Art, London, 2015

Franchise – Trial Shift’, project with Joss Heierli & Laura O’Neill, Purcell Street, London , 2014

Rushgrove House Project II’, co-curated with Zehra Arslan, Rushgrove House, London, 2014

‘Insider Joke’, Hockney Space, London, 2014

‘Rushgrove House Project I’, co-curated with Paula Lopez Zambrano, Rushgrove House, London, 2013

‘Life (Bildung)’, Barbican Centre, London, 2013

‘Vicissitude’, Kabin Collection, London, 2010

‘BA Degree Show’, Central Saint Martins College of Art and Design, London, 2010



Arts Council England Grant – Grants for the Arts, 2017

Arts Council England Grant – Grants for the Arts, 2016

Arts Council England / British Council Grant  –  Artists’ International Development Fund, 2016

Deptford X, nominee for site-specific commission, nominated by Fatos Ustek, 2016

Deutsche Bank Award for Creative Enterprise Trophies Commission, finalist, 2016

Fig-2, ICA : Open Call for Students, shortlisted, 2015

Red Mansion Art Prize, nominee, 2015

Cowley Manor Arts Award, shortlisted, 2015

Royal College of Art Secret Postcard Fund, 2015

Windle Charitable Trust Grant, 2013

Royal College of Art Bursary, 2013 & 2014

Erasmus Grant, 2009



London Creative Network , six month artist development programme at SPACE, London, 2018

Rupert, Artist in Residence, Vilnius, Lithuania, 2017

Chisenhale Art Place, Studio4 Residency, London, 2016

The Luminary, Artist in Residence, St Louis, Missouri, 2016

Pangaea Sculptors’ Centre, Artists-in-Residence Autumn Programme, London, 2015

Kurt Schwitters’ Merz Barn, Summer Residential Programme, Cylinders Estate, Cumbria, 2014



Artist Talk & Workshop for ‘Into The Wild’ participants, Chisenhale Art Place, London, 2018

Artists Talk, Plymouth Arts Centre, Plymouth, 2017

Artists Talk, Dr Challoner’s High School, A Level Art Class, Buckinghamshire, 2017

Artists Talk, The Luminary, St Louis, Missouri, 2016

‘HOUSING MERZ: New critical intersections for contemporary art and architecture; The legacy of Kurt Schwitters in Britain’, Tate Britain, London, 2014



Written work in ‘There will be nothing left to suck’ publication by the Dow Collective, 2017

‘Bloomberg New Contemporaries Catalogue’ (Selected by Anya Gallaccio, Alan Kane, Haroon Mirza), 2016

‘Sculpting Practice (Catching a Train on the Move, London 2015)’, Pangaea Sculptors’ Centre, 2016

Written work published in ARC magazine, 2015



The Enterprise Centre, University of East Anglia, Norwich

Kabin Contemporary Art Collection, London

A copy of  ‘Grey Market’ is held in the Archives of the London borough of Tower Hamlets