From the same source I have not taken, solo exhibition at Yamamoto Keiko Rochaix London, 2018.
Those who drew once from the spring do not seek to keep it in their jug and drink from it alone, installation view, photography by Alexander Christie
The worth of the water (when the well is dry), installation view of collaborative video work by Byzantia Harlow and Orlando Cubitt, duration 07.40 minutes, projection on brass.
Detail, video still, projection on brass. View the full video work here.
With just one sip, we’ll slip away (into the forever), installation view : lichen, dried poppies, jesmonite, bio resin, activated protective crystal, scented oil and pink filtered light, 2018.
The well is being lined, psychedelic Absinthe and Salvia tonic, healing Maitake and Shiitake mushrooms and edible Dianthus and Viola flowers, served during the opening of From the same source I have not taken.
The well is being lined, detail
What endures, no blame, activating event during the opening of ‘From the same source I have not taken’ by Byzantia Harlow accompanied by Joanne Deligeorges, Rhiannon Rogers and Jessica St James. Sonic accompaniment by Johnston Sheard and James Lacey on guitar and bass with members of the audience invited to participate with hand cymbals.
Read accompanying essay, I see people; they look like trees walking around*: pools and/of meaning in Byzantia Harlow’s ‘From the same source I have not taken, by Meg Boulton here.